RAVE review of Emergence I in Boston Classical Review!

Boston Classical Review RAVED about our Emergence performance:

“In a concert performance of scenes from two works the company has performed previously—Per Bloland’s Pedr Solis and Marti Epstein’s Rumpelstiltskin—Guerilla Opera’s singers and musicians returned listeners to the dark and delightfully weird sound worlds that have become a hallmark of the company’s shows. A short scene from Mischa Salkind-Pearl’s A Dead Body, which will make its full world premiere in 2020, revealed that those sounds should remain powerful expressive tools in operas to come.” (Boston Classical Review)

Read full review HERE!

Amy Advocat